August, 2009

...now browsing by month

 

Benefitting and Applying Your IRS Tax Credit When You Install a Solar System

Monday, August 31st, 2009

Sunset Cliffs San Diego photo by Marc Blake

In 2008, there was a limit to the amount of a tax credit available to home owners for a solar installation. That limit was $2000. In 2009, that limit was removed and now there is no limit at all. The IRS will give you a tax credit based on 30% of the net cost of your solar installation (materials and labor). The net cost would be the amount you invested for your system less any utility company rebates that you may have received.

For example:

$30,000 Solar Installation
$ 2,500 Utility Company Rebate
$27,500 Gross cost = the amount on which the IRS will give you a 30% tax credit

In this example, the IRS will give you a 30% tax credit in the amount of $8,250 (which is 30% of $27,500).

Furthermore, $19,250 is the capital improvement value to your home that the IRS will allow you to assess.

What is a tax credit? Simple!

If you owe the IRS $8,200 in taxes, because of the tax credit from your solar installation, you would NOT pay them that money. It is considered PAID IN FULL.

There is a form 5695 (which will be available for the new tax year) being posted on December 29, 2009 (anticipated IRS posting date) that you use to provide the IRS with your solar installation costs and information.

You DO NOT send them a copy of your receipt. It is not necessary and IS NOT REQUIRED. Just complete form 5695.

This tax credit will apply as a “Non-Refundable Tax Credit” to your account. That means that if you DO NOT owe the IRS money when you do your taxes they WILL NOT send you money. This credit can ONLY be used to offset money you WOULD have owed them.

Energy Bill before and after solar
After installing solar panels a $177 electric bill became a 77 cent electric bill — sweet!

There are some stipulations… but you are going to love it!

  1. We already mentioned that you have to owe taxes to benefit from the tax credit.
  2. You MUST install solar by 12/31/2016 to take advantage of the 30% IRS tax credit. (But why wait with the rising cost of electricity… ouch!)
  3. Here’s the GREAT NEWS: As of now, there is NO LIMIT in place by the IRS as to how long you have in order to use up your tax credit. If it takes you 20 years to do so… so it shall be.

Item 3 means that if you only owe $500 or $600 a year in taxes, no problem. Using our example above, your $8,200 tax credit will get used up in about a dozen years. You will not have sent the IRS one red cent! ZERO! You have an unlimited amount of time to use it up.

The IRS calls this a “carry over” tax credit.

It’s that simple. The timing for a solar installation on your home could not be any better.

THE BIG QUESTION (wait for it…)

I owe the IRS estimated taxes. What am I supposed to do?

First, let me provide some general information to help you get an overall view of estimated taxes and how they work.

Estimated taxes are sorely misunderstood. Typically, you pay the IRS an estimated tax payment – quarterly. The amount you pay is based on your taxable income from the year that just ended – calculated on the tax return you just completed.

So, if your tax liability was $10,000 last year (that gut-grinding check you wrote to the IRS when you mailed in your tax return), then your estimated taxes for the new year would also be $10,000 – payable in the amount of $2,500 each quarter. The government presumes you earn your income bit by bit throughout the year. Their goal is to collect “taxes” each quarter from the money you’ve already earned.

Not all solar installations are placed on the roof of your home

Suppose the year went by and you did not have any income from January through November. Then, in December you earned the entire year’s income all in one quick lump sum. You would NOT of had to make an estimated tax payment until after December’s earning (that estimate is due 1/15 of the new year).

There are forms available to “amend” what you thought you were going to owe. See IRS Publication 505 and 1040ES at IRS.gov.

Furthermore, the IRS can NOT access any penalties until the taxes are filed in April of the new year since they do not know WHAT your income was or WHEN your income was earned.

As you can see, you have more control over your estimated tax payments than you may have understood.

No Payment Due

Now, back to our burning question “I owe the IRS estimated taxes. What am I supposed to do?”

Using our example, you have a tax credit of $8,200. Suppose you owe the IRS an estimated $10,000 for this year and you are supposed to send $2,500 each quarter as your estimated tax payment. DO NOT send them $8,200 – it’s PAID IN FULL since you installed solar. You therefore would only have mailed them $1,800 for the year. The rest is a credit. It’s paid. You’re all set. There will be no penalties and you are all set to enjoy that instant government kick back.

The bottom line is if you are going to give the IRS that amount of money this year anyway, DON’T. Use that money to lower your monthly energy bill by installing solar panels.

By the way, this program is formally called a, “Residential Energy Efficient Property Credit.”

Solar Panel Installation

ADDITIONAL INFORMATION:

You can contact the IRS to speak with a tax specialist. They are extremely helpful and want to take the time to answer any questions you have.
Contact the IRS by calling (toll-free) 1 800 829-1040
Press option 1, then option 4.
Ask the operator for the Energy and Tax Credit Area. You’ll be transferred to a specialist.
http://IRS.gov
http://www.irs.gov/newsroom/article/0,,id=206875,00.html?portlet=7
http://www.irs.gov/newsroom/article/0,,id=206869,00.html
http://EnergyStar.gov

Following is the definition of an eligible solar installation taken from IRS.gov website

Photovoltaic Systems

Photovoltaic systems must provide electricity for the residence, and must meet applicable fire and electrical code requirement.

30% of cost

There is a 30% tax credit available for the installation of Solar Hot Water Heating too. Visit IRS.gov to learn about other energy-based incentives the Federal Government has in place to help you.

DISCLAIMER: Although I went over the contents of this article intimately with actual IRS tax specialists AND verified the information at length with the IRS’s Northern California Media Public Relations Officer I am not a tax professional. The information contained herein is, to the best of my knowledge, completely accurate and within the laws that are in place mandated by the Department of Treasury of the United States of America. Therefore, the information in this article is for educational purposes only and I am not liable for any misnomers or any situations you might engage in based on what you are reading here. In other words, be smart, do your homework and due diligence and work directly with a tax professional to verify any business dealings you might get involved with. Plus, contact the IRS directly. They’re actually a great organization and very helpful. My point is that I’m not responsible for what you choose to do. You are… but you knew that already didn’t you?

Interior of home with solar
I was in this nice home with a spectacular view of the Pacific Ocean video taping a customer testimonial for one of the leading solar companies on the West Coast.

NOT A DISCLAIMER: Interested in putting solar on your home? You should be. My work has taken me into numerous homes that have solar installed. I have personally seen meters spinning backwards, bills go from hundreds a month to minus eleven dollars. The technology is quite good now. There are a number of companies that offer solar and pricing is all over the map. I have the inside scoop and know what products are good and which ones are, well, not as good – to keep things polite. Contact me if you want some intimate info on solar. I can help and I will help.

If You Can’t Say It Nice . . .

Saturday, August 29th, 2009

I received an email from an organization’s staff member that was simply a request for money – from me – for one of their worthy projects. I know this organization. They’re good! I know this person. Good also.

So how does “that” end up as a topic for my blog? People misspell my name often. Mark instead of Marc. Funny thing is I’ve done it myself about three times in my entire life. I really have. It’s very entertaining when that happens but also demonstrates that I’m more interested in what I’m doing at the moment than who “I” am.

This fundraising effort, addressed to my email address at marcblake.com began with Dear Mark. Wouldn’t you expect that the spelling of my domain name would be a helpful clue?

The next line was basically about how successful they were last year. So, give us your money (again) please?

The person who was asking me for money knows me pretty well by way of lots of business activity. The email didn’t even contain a “hey… how you doing” personal note to me.

I rewrote that useless fundraising email, punched up, and sent it with a few comments to the program’s director as a suggestion on how their program might benefit more from their email solicitation efforts. The director thanked me. I hope that an upgrade to their work is instituted for their future mailings.

I suggested that a few personal notes be added to the letter to offset the “canned” part that is asking for money.

The solicitor could have taken the time to say, “Hi Marc. Haven’t seen you around the office much lately. Hope you are doing well. We’re busy as ever here… etc.” THEN, ask for my help.

If the purpose of the letter was to actually GET people like me to give away their money in a tough economy, well, it is going to need to be a nice request with something personal that makes me feel like my help really does make a difference. (and spell my name correctly!)

The solicitation claims that last year was a complete success. I don’t have a clue why? What made it a success? What good does that do me or my community? Claims were made that this year the money will be used differently? For prizes? What prizes? How will my money impact the lives of those that are earmarked to benefit? If last year was so successful, why are you changing it? RED FLAG!

I rewrote the letter and sent it to the director.

Hi (Name of person spelled correctly),

Hope things are going well for you? The (NAME OF OFFICE) is busy as ever with a number of programs that are helping (WHOEVER) improve their lives. We’re directly helping (BY WHAT THEY ARE DOING) and seeing a lot of success getting them to (DO WHATEVER THEY ARE GETTING THEM TO DO). We’ve enjoyed watching many of the (BENEFICIARIES) we help (WITH WHAT THEY ACHIEVED). Now they are a productive part of the community. That kind of success is what it is all about.

You probably recall that last year you were generous enough to provide a cash donation to our annual (NAME OF PROGRAM). This program encourages a number of (BENEFICIARIES) to work hard and participate in an opportunity that recognizes them for their achievement. The funds we raise to provide this program get used to (ENTER INFORMATION HERE).

We’re doing something that will encourage even more (PEOPLE) to work hard and compete for this worthy (TYPE OF) event. We’re going to be giving a number of winners prizes that will help them in (WHATEVER IT HELPS THEM IN).

We need a favor please. We’d really appreciate your help again this year. It’s going to mean a lot to these (PEOPLE). They deserve a chance to succeed and with your help they are given that opportunity.

Would you please pledge a hundred dollar donation this year? We’ll simply send you a bill and include a tax-deductible receipt for your accounting.

Thanks very much for all that you’ve done. These (BENEFICIARIES) are counting on your help.

Just shoot me an email with your mailing address indicating your support and we’ll mail you a self-addressed envelope to take care of your pledge.

Best wishes,
Solicitor’s Name & Title

This letter at least provides them a chance to succeed with writing campaigns. Better letters… more donations my friends.

A professor from the University of Iowa offers a 24-lecture series on Writing Great Sentences. The premise is that great writing begins and ends with the sentence. It covers rhythm, mixed patterns, prompts of comparison and explanation, balance and more. Quite a science actually! Add that with some good down-home creativity and I think you’ve got a winner!

In this day and age of communication we have the righteous ability to communicate easier, quicker and better than ever. Do you enjoy “B” movies as compared to high-budget blockbuster hit films? Of course not. So quit producing those (often useless) B movies. Make every word you put out there count.

I’ve noticed a few things when communicating by email with my clients. Many are CEO’s and other movers and shakers in entertainment and business. Their response notes to me are very short and concise. Why? They’re busy AND they are the ones spending the money. Therefore, they do not need to go to lengths begging you to accept funds. That makes sense too. If, on the other hand, you are seeking funding for your charity or for your services you have to win those funds in an ongoing competition we call free enterprise.

I’m wordy – can you tell? :) It’s the way I compete.

I write paragraphs of information to promote new ideas and direction for the businesses using my creative skills. I get back responses from the decision makers that read like this for example:

“great idea, do it”

We have to recognize what our purpose is in order to satisfactorily generate a communication that will yield an acceptable ROI.

In my own defense of being too wordy I am the guy that [others] come to in order to get the information, ideas and production specifications together for whatever their project or needs are. I’m that guy that writes the manuals. I really am! That’s why Adobe Systems Incorporated came to me to help write the user manual for an earlier version of Adobe Illustrator. My job was to tell users how to migrate from CorelDRAW. Adobe chose me because;

  • I had the knowledge, being a certified CorelDRAW instructor and representing the Canadian based company on the west coast at major events, and
  • I had the skill to be precise and write every nuance necessary for an end user to successfully “get it” when it came to using Illustrator.
  • I enjoy writing. I enjoy the creative process and have respect for the power we that write are provided with by our selective use of the mighty word. If I assured you that your well written letter would reward you with a huge successful response you’d likely be stimulated to do a great job. The thing is that unlike the chicken vs. egg controversy, trust me when I say that you need to put it out there in all its glory first, then enjoy the reward. It’s not the other way around.

    Does anyone ever tick you off? Have you ever written a poison pen letter? Have you ever written a poison pen letter, not sent it, then write a really friendly letter to offset the “issue” that ticked you off in the first place? Now that is where some fun can be found. Honey, not vinegar, and enjoy the ride. The kind of response you can get is that magic carpet you’ve always wanted to fly on.

    I’m finishing up a new song for festival. Not only is it a worthy example of creative writing, but it also has an intrinsic message that urges us to work at being better. Better, is better.

    (from Road to Glory – by Marc Blake © 2009 Sword of Creation)

    Acts of kindness go untold.
    The age of darkness has grown old.
    Claiming sadness with a kiss of lies
    should never touch a child’s eyes

    It’s time to tell a different story.
    We are singing on
    on the road to glory.

    Life is Not a Game (Yes it is)

    Sunday, August 23rd, 2009

    I spent most of my time on Saturday on the gridiron. It was intense. There was intense humidity. There were intense coaches hollering, intensely, at intense players. There was sweat and grit and intense pressure. “Just win!” That was the bottom line. Set your objectives and make it happen.

    On the Grid Iron. Sunnyside High School Football field with the Clovis West Eagles. Photo by Marc Blake

    Do you have the attitude to win the game? “I’m going to have that. Whatever it takes, I’m going to have that.” Would you be caught (alive) making a comment like that? If your answer was affirmative than perhaps you have a chance to win.

    The gridiron I was on was saturated (intensely) with 9 year olds.

    The Fabulous Montgomeries

    Monday, August 17th, 2009

    I grew up in Southern California. My neighbor, “Tig” was only a few years older than I. We’ve known each other a lifetime. He lives in Indonesia most of the year where he manufacturers a nice line of clothing. When I was 15, Tig 17, we started a leather business called “Leather Together.” We traveled all over the Western United States selling our hand-made leather goods at the major county and state fairs. We have many stories we could tell. I’m reminded of a Hoyt Axton song called, “Della and the Dealer” where the chorus sings, “…if that cat could talk what tales he’d tell about Della and the Dealer and the dog as well but that cat was cool and he never said a mumblin’ word!”

    Tig became interested in the Civil War and became a collector. He acquired some very rare Confederate Notes and asked me to help him write an article and photograph the notes for a Civil War magazine. I’m pleased to present this work to you in the following paragraphs.

    Tig and I wrote the article on a laptop plugged into the 12V outlet of his vehicle while we drove from Oregon to California a year or two ago. It turns out to be an interesting bit of history. Enjoy!


    War clouds, that loomed ominously on the horizon, now appeared overhead.

    The Big 6 - Montgomery Notes
    The Big 6 – Montgomery Notes, plus the T-27 & T-35

    It was December 20, 1860, when South Carolina seceded from the Union, once thought “one and inseparable.” By February of 1861, Georgia, Florida, Alabama, Mississippi and Louisiana joined in the secession. It began as a bitter dispute over Union and States rights that became a costly battle over the definition of freedom in America. The igniting spark was the question of slavery. Since colonial times the North and the South had been pulled apart by many ongoing disagreements that became violent. The tension was expressed by Thomas Jefferson of Virginia when he said, “Maintaining slavery was like holding a wolf by the ears, you don’t like it, but you didn’t dare let it go.”

    A few months later, on February 4th, delegates from the seceded states assembled in a hotel room in Montgomery, Alabama to create a provisional government. The Confederate States of America was born. The twelve delegates who formed a committee from these six states drafted a constitution – an “improved” version of the U.S. Constitution. Christopher Memminger chaired the group, whose objective was to create a document that would meet the needs of the South. Pinned to the door of the hotel room was a plain sheet of stationary inscribed, “President’s Office.” When a visitor approached and asked Secretary of State Robert Tooms, “Where will I find the State Department?” Tooms replied, “In my hat sir and the archives in my coat pocket.”

    Prior to the events separating the North and South, banks issued notes that were considered paper currency. As notes were generally a regional type of currency, it wasn’t always the best practice to take these notes from one area and try to redeem them in another.

    Once the Civil War broke out, notes of the Confederate States were produced to fund the South. These notes typically carried the statement that they would be paid six months, or, in some cases, as long as two years after a treaty of peace. The U.S. notes of the North did not indicate when they would be redeemed.

    It had always been a concern that the currency of the South was not “legal tender.” The North’s notes were respected as legal tender. What was the difference between those “greenbacks” of the North and the “bluebacks” issued by the Confederacy?

    The U.S. notes held their value better. People had more confidence in them. Most of the manufacturing industries were in the northern states. The North had many more resources than the South. Another circumstance that created more widespread trust in Northern currency was the fact that prior to the Civil War the cotton growers of the South were dependent on the northern bankers for crop loans.

    Understanding the need to maintain an active and viable economy, along with supplementing the costs of the war, the U.S. government passed Internal Revenue Acts in 1862 and 1864 (income taxes). The government also found ways to raise other taxes. Northern currency thrived. Although frowned upon by Southern officials, U.S. notes were highly prized by many in the South, especially during the latter years of the war.

    A major failing of the Confederacy was not utilizing its tax base to the extent it should have. Instead, they relied heavily on loans and the sale of bonds. These efforts did not raise the monies expected. In 1861, the Confederate Congress provided for a direct tax on property, but the too lenient 50 cents for each $100 of goods and money again missed the mark.

    According to a speech by Vice President Stephens, it was the desire of the southern government “to get along with as little tax as possible.” They also recognized that each of the Southern States making up the Confederacy valued their own sovereignty almost as highly as its unification against the North. Their taxation had little impact on the Southerners. The South issued more and more paper money to meet the needs of the war, thereby inflating its value further. Individual southern states also increased the inflationary trend by raising money through the issuance of their own bonds and printing their own paper money.

    Gold of the Confederacy

    Cotton was expected to be the equivalent of gold for the Confederate States. Montgomery notes were issued, the Southern States generated bonds, and a feeling of economic strength was anticipated. Cotton crops, valuable as gold itself, were their greatest asset.

    There was a huge problem in their misjudgment, which affected the entire war effort for the South. Their “gold” turned to dust and the value of cotton melted away as quickly as the South invested everything into its presumed economic strength. Simply consider the role of cotton in world trade at the time the Civil War began: In 1860, the value of cotton exports from the South exceeded the combined total of all other commodities and manufactured products shipped by the United States. Over four million 500-pound bales of cotton were grown each year representing 80% of the world’s supply. Also, the aftermarket value was important in that it employed thousands of people from shippers to spinners who depended upon cotton for their livelihoods. An important player of the time, cotton did seem to be good as gold.

    The Confederacy decided to exercise economic leverage with its cotton by judiciously controlling the amount of cotton being made available in the market. Typically, England imported two-thirds of the South’s cotton while another 10% went to France. The balance of the crops found its way into the Northern States and a few other countries.

    In 1861, Southern planters were asked to “loan” one half of their cotton production to the Confederate government for which they would receive 8% bonds in exchange. These two million bales of cotton would have brought the treasury $100 million. The strategy seemed sound and would have covered the interest on the bonds, government expenses and supplied the troops. This was also designed to encourage planters to continue the legacy each year.

    Instead of shipping cotton, the Confederacy decided that the best way to gain quick recognition from England and France was to withhold cotton in order to force a “supply and demand” market. However, with an existing cotton surplus already in the market, this plan backfired. It wasn’t until the summer of 1862 that a shortage of cotton was felt. By 1863 cotton yarn production in England dropped from nearly 500,000 tons to 200,000 tons and many workers were unemployed. The South’s foiled embargo was not the only unforeseen failing that stumbled the Confederacy. Once the South was ready to ship cotton, the North had already established a fairly tight blockade along the coast, and it was no longer possible to export cotton in large quantities. All things combined, the South’s “gold” failed to produce the income that would prevent the depreciation of their currency.
    (See figure 1, “Value Fluctuations”)

    Value Flucturatons - Montgomery Notes
    figure 1

    Gazaway Bugg Lamar
    A Southern Gentleman and Confidant in New York – Liaison for the Montgomery Notes

    In 1798, Gazaway Lamar was born in Augusta, Georgia, and eventually became a contemporary money king and noted aristocrat of the cotton states. Before the Civil War, this imaginative and exceedingly ambitious man moved to Brooklyn, New York, and prospered as a commission merchant, cotton factor, steamboat proprietor and chronic speculator. Gazaway established the Lamar Insurance Company, an entity designed to provide security for his own activities. He was truly a masterful entrepreneur.

    Among his many accomplishments, he founded the Bank of the Republic in New York (1851) where he gave preferential treatment to Southerners. The bank was a state institution with a capitalization of $1,000,000 – later expanding to over $2,000,000 and relocating to the prestigious corner of Wall Street and Broadway. He was a trusted financial advisor to the Southern politicians, including two of Georgia’s Governors, Howell Cobb and Herschel V. Johnson. Close ties with his Southern roots put him in a position to be extremely valuable as a Confederate resource well planted in the North.

    Governors of several Southern states needed to build up their arsenals. Their need to purchase arms from both the Federal government and private Northern manufacturers had to be handled with extreme discretion. Lamar helped facilitate these purchases and even helped smuggle muskets into the South in November 1860, a few months before the war began.

    Persistent and widely circulated rumors of large shipments of arms to the South soon aroused public indignation and provoked Edwin D. Morgan, Governor of New York, to take stern measures. On January 22, 1861 he ordered 38 cases of muskets headed for the South, onboard the “Monticello,” to be impounded by the State police.

    The instability that was brewing between the North and the South put Lamar in a precarious situation. Much of the time he found himself under watchful eyes and in threatening circumstances. Loyalist groups, particularly the “Wide-Awake Clubs,” placed Lamar under such close observation that he began feeling powerless to continue his communications with Confederate leaders. During this period of turmoil, he was constantly receiving anonymous threats and warnings.

    Act of March 9, 1861

    The Act of March 9, 1861 authorized the first Confederate Treasury issued notes in the amount of $1,001,500.00. These were high-denomination interest-bearing notes at a rate of 3.65% per annum. The first group, consisting of four notes, was issued in Montgomery, Alabama, and is known as the “Montgomeries.” They were not intended for general circulation. These notes tended to be endorsed on the back when issued and cancelled when redeemed.

    New York City was the center of the bank note engraving and printing industry during this time. It was logical for Treasury Secretary Christopher Memminger to contact someone there to place his orders, as there were no skilled engravers in the South.

    It was an obvious decision for Memminger to approach Gazaway Lamar to facilitate the production of the Montgomery notes.

    Christopher G Memminger, CSA Treasury Secretary
    Christopher G. Memminger, CSA Treasury Secretary

    Memminger implored Lamar to secretly arrange for the printing. Acting upon Memmingers’ instructions, Lamar successfully engaged in a printing contract with the National Bank Note Company of New York, which engraved a plate to print a four-note sheet with one of each denomination: $50, $100, $500, and $1000. The order was placed for 607 sheets and was delivered to Montgomery, Alabama, on April 2, 1861 – a mere ten days before the Civil War began.

    Memminger quickly discovered that there was a demand for the smaller denominations. He contacted Lamar again, asking him to have the bank note company furnish an additional one thousand each of the $50 and $100 notes. The company resourcefully split their plates in half and ran off 999 half-sheets to fill the order.

    However, the beginning of hostilities made delivery difficult. Internal struggles began within the bank note printing company. Problems getting the Montgomeries produced were further complicated when a disgruntled businessman named Waterman Lily Ormsby, then head of the New York Bank Note Company, lost his position. There had been a recent reorganization of the bank note industry, and in the turmoil, Ormsby had been shut out of both the National Bank Note Company and the American Bank Note Company (another major note producer of the time). In retaliation, Ormsby tipped off the Union government that the National Bank Note Company was printing Confederate currency. As a result, resources in place for the production of Montgomery notes and other war bonds were jeopardized.

    Douglas Ball, noted Civil War historian, spoke of a group of U.S. Marshals who appeared at the National Bank Note Company with orders to confiscate the rebel plates. When they learned that 999 half-sheets had been loaded on a ship in New York Harbor, they raced to the docks to stop the shipment. Fortunately for the South, they were too late, and the ship had just cast off. The captain ignored the Marshal’s shouted orders to return. Unable to stop the ship, the Marshals could only watch in frustration as the ship headed out for international waters and its destination to a Southern port. This would be the final shipment and production of the Montgomery notes.

    The Union authorities had seized the plates. Despite the desire of Confederate officials to further exploit Lamar’s cooperative spirit, the Georgian’s usefulness to the Confederacy had ended. Lamar’s son wrote Memminger, “that any letters from any officials may compromise him with the mobs (and) that he is powerless now to do anything for anyone.”

    The loss of the New York Printing facilities was a crushing blow to Secretary Memminger, who now had to seek currency contractors within the Confederacy itself, a search that would prove to be a daunting task.

    By Request – more Mike Seeger

    Sunday, August 16th, 2009

    Thank you all who were gracious enough to contact me with kudos on the posting featuring Mike Seeger. Here is another video for you to enjoy.

    Mike Seeger Tribute

    Regards…Marc

    If the Schools Won’t Teach Them – We Shall!

    Saturday, August 15th, 2009

    Got 59k?

    Super… and thank you. That’s just how much more in donations I need to round out our funding for the 2010 California Autoharp Gathering.

    We are a non-profit so just write it off if you need to.

    Hopefully, you are now saying to yourself, “California A U T O H A R P Gathering?” Are you @#&%! kidding me?

    If you are having that response EXCELLENT (and SHAME on you for your lack of enthusiasm).

    You know enough about me by now to not judge [this] book by it’s cover.

    I’ll clarify and then you, too, will be enlightened and well on your way to the Road to Glory.

    California Autoharp Gathering 2010 - The Road to Glory

    I said, “excellent,” to your initial response because I have successfully distracted you from my effort to put my (non-profit organization’s) hands into your pocket for that near-60k donation I seek. I am so sneaky – but sincere – so that makes it okay.

    The reason I said, “shame on you,” is simply because I know that you were thinking, “Hey, wait a minute! You mean to tell me a bunch of people are going to gather around and play autoharps? Do you mean those things that Mrs. Hildebrandt made us sing to when we were in 2nd grade?”

    Your close… but again I say to you that you do know me better than that.

    Fresno County students arriving for a weekend of culture.
    These students do not have a clue what they are about to experience.

    100 young students, 10, 11, some 12 years old are bused to the Sierra Nevada in Central California in May. 95% of these students have NEVER left their home town community – really! 98% of these young’n's have NEVER been away from their parents or families – really! Everyone relax, we have dedicated chaperones and over a 100 musicians to see to it that they get a very well rounded tasted of the cultural arts. They are about to engage in a life-shaping experience.

    This gathering is a weekend-long music festival featuring the most renowned and talented folk artists in the United States and sometimes from other countries too.

    Everyone knows who Pete Seeger is. Perhaps not everyone knows his sister Peggy Seeger or his brother Mike Seeker (who recently passed after a battle with the big “C”). Mike and Peggy have been part of our artist roster. Mike was amazing. Peggy was, how can I say this… a hoot! PS. I’m co-defining “hoot” as one who is way WAY out of the box and effervesces with musical genius.

    Mike Seeger spent the last years of his life archiving music for the Smithsonian Institute. Above is a video snippet from the recording session where Mike and I spent time together at the 2006 California Autoharp Gathering videotaping this exclusive and never before publicly released training clip. In it, he is introducing basic autoharp techniques which I used for the Gathering DVD that I was hired to produce. The complete training session is about 10 minutes. Contact me if you’d like to see the entire clip.

    NOTE: This video excerpt is from the event’s 2006 DVD, as mentioned. I, for whatever creative reason at the time, ended the Mike Seeger segment with this rather heavenly transition into part of a Bryan Bowers’ concert. Please watch the entire video, above, and listen carefully to the lyrics Bryan sings as the segue between these clips occur. It’s… well, you see and hear.

    California Autoharp Gathering (CAG) is more than just a music festival. It’s an opportunity to experience and participate, first-hand, in the heart and soul of America’s music. The event draws people from all over the world. One year, some enthusiast from Japan contacted me for more information and I was so pleased that our theme that year, “Harps Across the Water” was so enticing to draw attention from the Far East that I arranged to provide them with a complimentary registration. I suppose my years as a member of our Sister City Program was beckoning me to reach out.

    Following are excerpts from the CAG 2010 announcement sent out the other day by a major friend of the arts and the gentleman who, single handedly, has brought cultural arts to 1000′s of children over the past decade. He is event founder and director, Mike Mueller. Mike has a doctorate in education which provides him with this well honed ability to make this event both an academic and cultural adventure for the 100 children a year we bring to California’s Sierra Nevada. Mike relies on me to help with some the creative input that goes into putting on his event – which has actually become the premiere event of this type in the world.

    Considering the roster and caliper of world famous artists that perform and conduct music workshops for the adults and children in attendance, it’s no wonder why this event is so successful. This event is special and to watch 100 children make a transition into true art enthusiasts is overwhelming to enjoy. Of course the young (art) students do perform for the 100 adults on a number of occasions too – and they dig it!

    Mr. Mueller announces…

    Greetings CAG’ers! At long last we have good news to share!

    CAG 2010 is ON and scheduled for May 21-23, 2010 at the St. Nicholas Ranch, Dunlap, California. You are all invited to attend!

    It’s been quite the process over the past several months to secure resources. As you all know, the CAG was originally designed in 2002 as a festival of fine arts for local children here in Fresno County. Those of you who have been with us know that having the kids as part of the festival is a big part of CAG. Not only do our kids get a very memorable three days of music, dance, workshops, and camp activities, but they get to experience the joys of fine arts first hand. Arts in the schools has taken a real beating over the past ten years as schools are emphasizing curriculum that answers to the State Testing Standards. Fine arts simply is not covered by that testing, and therefore are not a priority for schools. CAG bring the importance of the arts to kids, even if it is just for this three day camp.

    Our theme will be “Road to Glory”, a fusion of western-cowboy songs with songs and tunes of inspiration. The inspirational component is non-denominational; it’s more of a look into the good sounds of those songs and tunes.

    Please go to the website: www.calautoharp.com. Marc Blake has gotten everything ready for us to begin registrations. Motel-style rooms go on a first come, first serve basis. Once they are out, they’re out.

    Staffing: A great lineup is scheduled for CAG 2010 – the best staffing in the autoharp world. Andy Cohen, Bryan Bowers, Bob Fish, Bodie Wagner, Roz Brown, Carey Dubbert, David Rainwater, Jem Bluestein, Laura Boosinger, Ron Wall, Pete Daigle, Tina Louise Barr, The Canote Brothers, Todd Crowley, and newly elected AH Hall of Famer: Evo Bluestein. Ray Frank, Linda Guerrero, Bill Lehr, Kenny Hall, Barry Schulz, and Kevin Hill will also be staffing CAG.

    Please come and join us. The CAG has been noted as very special by our wonderful participants.

    If you have any questions, I’m more than happy to help. Please email me at: mmueller@fcoe.org. Phone is (559) 497-3830. I’ll get to you as soon as I can.

    I’m very happy to bring CAG back to you all. It’s great to see friends once again.

    Michael A. Mueller

    So, there you have it. We’re keeping the arts alive and teaching our youth about the elegant heritage of our American music. How many 10 years old do you know that can tell you who the “Carter Family” is (was)? I can name several hundred!

    $59k in tax-deductible donations are still needed so wipe those tears of emotion I’ve drawn from you with this article and get out your checkbook – would ya? You know where to reach me.

    … Marc

    Beatles’ Fan? Great! Is there anybody gonna listen to my story?

    Sunday, August 2nd, 2009

    Year ago during my early years of building and hosting web sites I happened upon some musicians who decided they would re-record every Beatles song – for no particular reason. I was already impressed with their “… because it’s there,” philosophy.

    “Hmmm,” I thought to myself, a lofty goal. In my mind I felt that to be more fun than re-recording, let’s say, the Glen Campbell catalog – even though I have a ton of respect for his work and the numerous hits Glen enjoyed written by an old acquaintance of mine, Jimmy Webb (Wichita Lineman, Rhinestone Cowboy, By the Time I Get to Phoenix, Galveston… well he could write hit songs, including hits like MacArthur Park, Up, Up & Away and more).

    I contacted these musicians and told them I would be glad to host their educational and musical effort on my servers at no cost to them, explaining that I respect and was very impressed by what they’ve done. They fancied that as a grand idea and I proceeded to bog down my hard drive with gigs of Beatlesque music, video and more.

    The Spinal Cracker Project - Every Beatles song re-recorded!

    I did my “Google for Google Puffs” search engine magic announcing the newly hosted web site and immediately watched my server stats soar with lots of web traffic. The new web site was now receiving way more visitors than any other web site I was hosting. Fortunately, I do have extremely robust servers and “superfast” (that’s a tech term for high-speed) bandwidth so I “can” handle the traffic. I have to admit it was a little intimidating at first glance to see all this web traffic. I was born and raised in Los Angeles so I’m all about traffic! The number of visitors to the site remains huge.

    Go to: “The Spinal Cracker Project”

    PabloCruise.com get’s the second most visits and for the more than a decade I hosted and ran Table Mountain Casino’s web site. They, too, were pretty heavily visited online.

    Stay with me now… there is a huge payoff I talk about in the next paragraph – and there’s no way you can win this at Table Mountain – AND it’s completely free for you to enjoy.

    I was doing a bit of server maintenance this weekend when I stumbled into some new (hidden) content in the Spinal Cracker Project web folders. From what I gathered there must have been some kind of festival in Montreal that featured young classical musicians playing instrumental versions of Beatles’ songs. “Nothing (that) new,” you might be thinking. However, the secret (lost tapes) were recorded in Quicktime and Windows Media Player format. I decided I’d check one out, then another, then another. Wow! … and here I am dedicating an entire article about the discovery.

    John Lennon - The Beatles

    These are a few screen grabs from “Across the Universe” which was really enjoyable to watch. These young artists are amazing. What’s more, is that whoever pulled off this event and did the arrangements gets a tip from my hat as well. I’d love for my non-profit, Fresno Conservatory, to make an event of this caliper happen in my community.

    John Lennon - The Beatles

    Time for the Payoff! Check them out!

    Les Boreades

    Discovery is a trip!

    I loved finding the “lost tapes.” I felt like I was the star in a Hollywood blockbuster about to lunge into the the second segment of a great adventure script where the setup was complete and the action begins to grow. Oh my? How will this conclude?

    Here’s a little side story about “Discovery” I enjoyed.

    While in England photographing a famous instrument: “The Curves Guitar” years ago my friend, the owner of the guitar and producer of the Fender Curves project, took me to the very south tip of Great Britain and had me swear not to contact Yoko Ono. When we settled in to a private loft in a small town in Devon (close to where the Pirates of Penzance happened) he pulled out a hidden box with an old reel (to reel) tape enclosed.

    The Beatles - unfinished recordings of I Am the Walrus and Fool on the Hill - John Lennon & Paul McCartney, respectively

    He told me to shut down any of my recording devices and have a listen. The tape contained the “original” voice and one-instrument tracks of John Lennon working on “I Am the Walrus” and Paul McCartney still writing “Fool on the Hill.” He was given this original studio recording from a friend of his that ran the studio in Liverpool where The Beatles were recording in those early days.

    While listening to “I Am the Walrus” the lone drone musical track with nothing extra except Lennon’s voice came to a break. A complete stop! A few seconds later the song continued. At first I thought this was some glitch then realized that this was the part where George Martin introduced that bizarre backwards-sounding musical interlude and that made me feel cool to discover that while trippin’ on this absolutely raw and rare demo recording.

    After that song was complete, McCartney and only his piano (all one take – on one track – by the way) began singing “Fool on the Hill.” This was incredible to hear something nobody, for the most part, has ever heard. So all is nice and McCartney gets part way through the song and begins singing, “doo, doo, doo, do, do, do, doo…” because he has not written the middle eight yet. I wanted to say, “hey, I know what lyrics to use there. No problem.” This was the first time the tape had been played in over 30 years and it made me feel like I was on top of the world – alone, but on top of the world.

    Oh… and the reason I was not to contact Yoko (who I had photographed when I was on assignment in Hollywood when John Lennon’s star was unveiled in front of the Capital Records building on Vine Street, just a few hundred feet North of Hollywood Blvd.) is because she, apparently is very careful to insure that she owns anything that would (have) had anything to do with intimate work by her late husband. Thus, she would likely work very diligently to get this tape into her possession.

    Say, if anyone has re-recorded every James Taylor, or Donovan, or Leonard Cohen song let me know. I’ll host your work on my servers free as well.

    Fantasy Friday: It’s Not What You Think

    Saturday, August 1st, 2009

    Tonight’s blog is the first in a series of completely meaningless storytelling.

    Attitude Jon was sampling the pink grapefruit pie when the Lark of Rork descended from the only cloud that had marshmallow padding. Immediately, the children stood, like statues in the park. Nobody knew the name of the park. Until movement would begin again, the children would remain lost.

    Attitude Jon ignored the dilemma as if a simple, but firmly raised eyebrow was the only action necessary to correct the colorless emotion that melted on the floor. The Lark of Rork, as always, was ready to take control. The Lark raced to the chamber central and commenced to light the flame of fervor.

    Suddenly, stunned by the spark, one child flinched and there was confusion. Were the children missing? Nobody in the chamber knew and nobody was there. It was odd and there was not an answer to be heard.

    The pink grapefruit pie rolled from the bowl leaving a trail in its path. One by one the children, without moving, followed the path.

    Soon, the entire park, now surrounded by a moat of pink grapefruit pie juice became a carnival of highways. The Lark of Rork stood still, not to be noticed and Attitude Jon didn’t realize his pie gone.